Enhanced HEVC Encoder over Bonded Cellular and the Public Internet
65% Data Cost Savings vs. H.264
30% Data Cost Savings vs. other HEVC
Ideal for live at-home production, REMI, and remote production without the headaches
Frame-accurate genlock and lip-sync across multiple cameras.
The PRO360-5G is our flagship 5G mobile video encoder & transmitter solution designed for live video producers and newsgathering professionals looking for contribution performance from any location around the world. With its large set of professional audio and video interfaces, the PRO360-5G supports the best state-of-the-art H.265/HEVC hardware encoder by offering premium video quality with less data usage, and low end-to-end latency (down to 0.5 sec). The widely adopted H.264/AVC video format is supported as well for compliance with deployed infrastructures.
It features 6 embedded world-wide compliant cellular 3G, 4G-LTE, and 5G modems with a high efficiency patented custom antenna array. All are available in the unit, but the device can also be remotely connected to the QUAD Antenna external antennas for strengthening the signal transmission in a critical environment. Additional links such as built-in Wi-Fi and Dual Gigabit Ethernet for streaming over LAN/WAN, BGAN, GX, or Ka-band Satellite are also natively supported.
With its high versatility, the PRO360-5G is the ideal companion for on-the-go video professionals that need a robust and reliable solution, with the ultimate performance and picture quality.
Featuring real-time network detection, eight 3G, 4G, and 5G internal modems with an internal high-efficiency custom antenna array, a built-in Wi-Fi modem, and two best-in-class H.265 video encoders, the PRO380 can be used to stream live HD video down to the receiver with minimal delay.
Designed with you in mind, the unit is just over 2 lbs and can be easily mounted on any broadcast camera (e.g., SD/HD SDI, analog [BNC] and HDMI) and mounted via V-Mount, Gold Mount, or PAG plates or used in an optional back-pack. The PRO380 allows easy configuration, operation, and intercom.
Supports Gen-lock across the Cellular Network
Supports multiple cameras in the field with perfect camera synchronization, gen-lock, and lip-sync
Up to 9 IP bonded connections
2 Advanced HEVC Encoders, VBR, and CBR for live transmission and high-quality recording
6 embedded 3G, 4G LTE, and 5G modems with a high-efficiency custom antenna array giving faster network acquisition and improved resilience
Supports CBRS (Citizen Broadband Radio Service) Band 48 3.5GHz Private LTE
1 built-in Wi-Fi modem with antenna
2 auxiliary USB ports
Dual Gigabit Ethernet for streaming over LAN, BGAN, GX, Thuraya or KA-band
Requires a physical StreamHub Receiver or Cloud StreamHub Receiver
Robust signal transmission enables live broadcasts anywhere in the world: In addition to the internal custom antennas, the PRO360-5G-RA version has eight MCX antenna connectors on its front panel. These can be used to support two QUAD wideband external cellular antenna arrays to strengthen signal transmission in critical environments such as live from vehicles on the move.
Featuring 6 cellular connections (eight 3G, 4G, and 5G internal modems with an internal high-efficiency custom antenna array), a built-in Wi-Fi modem, and two best-in-class H.265 video encoders, the PRO360-5G can be used to stream live HD video down to the receiver with minimal delay, which allows broadcasters to produce seamless live interviews.
A compact, lightweight, and portable design are perfect for in-the-field use: Weighing about 1Kg, the portable PRO380-RA can be easily connected to any professional camera (e.g., SD/HD SDI, analog [BNC] and HDMI) and mounted via V-Mount, Gold Mount, or PAG plates. By providing broadcasters with a video uplink system that is easy to transport, the PRO speeds up newsgathering operations.
Simple use and control enable rapid newsgathering: The PRO is designed to automatically detect real-time network capabilities. Through a user-friendly and intuitive touch-screen interface, the PRO allows any on-the-go media professional to easily configure and operate the system as well as communicate with the studio through the IFB return channel. The units can also be controlled by the receiver (StreamHub), the Management System (Manager), the Remote smartphone application or any device connected to the unit through the network.
Ecosystem using the Patented SafeStreams Transport Protocol
IFB Intercom XLR Interface Panel for StreamHub Transceiver in Master Control
Live and Files Forward over Wireless Networks
The PRO3 Series has 8 internal 3G or 4G modems with high gain custom antennas, plus an internal Wi-Fi modem to stream a live video or forward files over bonded wireless networks.
Live and Files Forward over Satellite & Cellular Networks
The PRO3 Series can stream over KA band and use cellular links as a back-up or complementary connection. It enables starting streaming a live over cellular connections while driving to a location, before switching to KA band once the satellite dish is pointed. This bonding mode also ensures the transmission reliability when the performance of the KA band decreases, particularly in case of bad weather conditions or of a drop in bandwidth due to a congested network.
Live and Files Forward over Satellite
The PRO3 Series is compatible with the major portable satellite uplink solutions such as Inmarsat BGAN, Thuraya or KA band. It can also feed any kind of satellite modulator thanks to its MPEG-2 TS ASI output.
Live and Files Forward over LAN/WAN
The PRO3 Series can stream a live video over bonded IP networks to a StreamHub or to any kind of H.264 receiver from professional IRDs (Integrated Receiver and Decoder) to VLC player.
Live to any CDN
The DMNG system supports the needed protocols to stream a live high definition video directly to the Web or through any CDN (Content Delivery Network) or video streaming service platform.
“Live PD” Producers Rely on VidOvation PRO180-RA Bonded Cellular Transmitters
Systems Enable Reliable, Low-Latency, Synchronous Video and Audio Transmission on Multicamera and Multilocation Live Police Docuseries
Dan Abrams, Host of Cable TV's #1 Show - Live PD
VidOvation today announced that Big Fish Entertainment, the creator, and production company behind groundbreaking A&E docuseries “Live PD,” is using VidOvation’s PRO180 bonded cellular systems the multicamera, multilocation production for reliable, synchronous, and low-latency transmission of broadcast-quality video and audio.
“‘Live PD’ is the first show of its kind to capture and stream live video of police officers on patrol and, to our knowledge, the first primetime entertainment television program to push the capabilities of bonded cellular technology well beyond that of a typical stationary news report. Every episode represents a phenomenal technical achievement, the perfect blend of technology and editorial content to deliver a transparency in police work never seen before on television,” said Dan Cesareo, founder and president of Big Fish Entertainment. “VidOvation was the only bonded cellular solution we tested that could help us accomplish our creative goals for the show. The VidOvation team really went the extra mile to help meet our technical requirements and make ‘Live PD’ a resounding success.”
Live PD Camera Operators, Producers with Local Police Department
Each “Live PD” episode offers viewers a live, unfiltered look inside some of America’s busiest police departments and the communities they patrol. One of the biggest production hurdles was capturing high-quality live HD video from multiple cameras and streaming it to air in real time while maintaining genlock and lip-sync across multiple cameras. On a live production like Live PD, there is no time to fix camera sync and lip sync issues. All cameras needed to be in perfect gen-lock with each other. On a typical Friday night, “Live PD” covers officers on patrol in six cities, with as many as 40 live videos feeds coming into a New York-based control room at A&E headquarters. With such a large quantity of feeds, traditional satellite or microwave links would not only be cost-prohibitive but would not provide the necessary mobility and flexibility. The solution was bonded cellular technology, which bonds any available combination of network interfaces including local cellular and Wi-Fi networks, Ethernet, and satellite for high-quality and reliable video transmission links.
One of the biggest production hurdles was capturing high-quality live HD video from multiple cameras and streaming it to air in real time while maintaining genlock and lip-sync across multiple cameras. On a live production like Live PD, there is no time to fix camera sync and lip sync issues. All cameras needed to be in perfect gen-lock with each other.
The “Live PD” crew uses 41 PRO180-RA bonded cellular transmitters, including one for each of two HD cameras in every patrol car and two additional camera operators as well as an overhead drone to cover the action outside the vehicle. Additionally, the team has installed four QUAD external antenna units to each patrol car for even faster network acquisition and greater signal resilience. Throughout the three-hour show, the PROs feed up to four video channels and eight audio channels of live, high-quality video back to the control room in New York from every patrol car in all six cities. In the control room, and StreamHub receiver, decoder, and distribution platform receives the live video feeds and delivers them to air for the live broadcast.
“We tested several bonded cellular systems, but none of them could handle the multicamera and multilocation format of the show — except one,” said Larry Barbatsoulis, the show’s technical supervisor. “The system proved its ability to transmit video and audio from up to five cameras in close proximity and with perfect lip sync and video synchronization between all cameras.”
Photographer Riding Shot Gun Wearing PRO180-RA on Live PD
There has been some recent chatter that the Live PD show on A&E may not be real. The reason is that the video quality is just too good to be live. VidOvation and were selected by the production company Big Fish Productions and A&E because it was the only wireless technology that worked. All the other providers were tried and tested. Big Fish needs four bonded cellular links to stream four cameras in perfect synchronization with each other. There are two cameras inside the police vehicle and two cameramen in the back seat. All four cameras need to arrive at A&E master control in perfect lip-sync and video synchronization with each other. The competition would have one camera arrive at 500 milli-seconds to late and another camera 500 milliseconds too early. In short, VidOvation provided the only solution that worked. In a live four-camera production, perfect synchronization is a necessity. There is no time to sync the four cameras when broadcasting live. See the video below showing a typical police vehicle setup. Don’t take our word for it, just watch Live PD Friday and Saturday nights at 9 PM on A&E. Learn more about Live Video Transmission via Bonded Cellular.
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